A young boy battles the complexities of a grown-up world with his father.
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In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico.
Gwyneth Paltrow plays London publicist Helen, effortlessly sliding between parallel storylines that show what happens if she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.
An ordinary Lego mini-figure, mistakenly thought to be the extraordinary MasterBuilder, is recruited to join a quest to stop an evil Lego tyrant from gluing the universe together.
Graverobbers open the grave of the Wolfman and awake him. He doesn’t like the idea of being immortal and killing people when the moon is full, so he tries to find Dr. Frankenstein, in the hopes that the Dr. can cure him, but Frankenstein is dead and only his Monster is alive and this one wants to live, not to die like the Wolfman.
A girl calls on her brother’s imaginary friend to banish a mischievous boogeyman who has framed her for his pranks.
Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
Toulon runs a puppet theatre in the heart of Paris and meets the sorcerer (the mysterious Afzel). When his life is saved by the lovely Swiss Ambassador’s daughter Ilsa, we bear witness to the origin of the Puppet Master.
