Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.
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‘305’ is a mockumentary detailing the misadventures of five not-so-brave members of the Spartan army charged with guarding a seemingly ordinary goat path. But when their actions lead to the death of King Leonidas and his army of 300 men, the five must find a way to redeem themselves and save Sparta from invasion.
Powerful businessman Russ Duritz is self-absorbed and immersed in his work. But by the magic of the moon, he meets Rusty, a chubby, charming 8-year-old version of himself who can’t believe he could turn out so badly — with no life and no dog. With Rusty’s help, Russ is able to reconcile the person he used to dream of being with the man he’s actually become.
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An insurance salesman gets mixed up with two gangsters in effort to make more money and provide for his family, but things don’t go as he planned.
A story of young couple, Primo and George, who are in a long-term relationship and are already building and planning their future together. Their love will be put to the test as their relationship faces hurdles from misunderstandings to different career paths, among others. How will they save their “us”?
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
U.S. Navy pilot Lt. Jake Grafton and his bombardier buddy, Lt. Cmdr. Virgil Cole, are two soldiers embedded in the Vietnam War growing frustrated by the military’s constraints on their missions. Despite the best efforts of their commanding officer, Cmdr. Frank Camparelli, to re-engage them, this disillusioned pair decide to take the war effort into their own hands with an explosive battle plan that could well get them court-martialed.
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