A group of Israelis and Palestinians come together in Oslo for an unsanctioned peace talks during the 1990s in order to bring peace to the Middle East.
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A simple can of ravioli propels this spectacular 30,000-kilometre, eight-country journey through all phases of food production and the far flung sources of international ingredients. A dream-like voyage with glimpses of disconcerting realities, the story begins with a single mother toiling in one of the biggest open pit mines in Brazil and ends on the shelf of a grocery store in Finland. Along the way, the workers whose calloused hands mine, raise and harvest each ingredient reveal their dreams and hopes, like the Danish pig farmer who loves his sows but longs for a girlfriend, and the Portuguese tomato picker who wants to stay healthy long enough to pay her daughters way through university. Sumptuous photography and impressive sound design make an eloquent statement about our modern, globalized world, making us aware of the hundreds of invisible people who prepare the food we eat every day. -Gisèle Gordon (HotDocs.ca)
From filmmaker Dawn Porter (who earlier this year directed “John Lewis: Good Trouble”), the film explores the remarkable journey of Jordan from modest Southern origins to national renown as a pioneering attorney, businessman, civil rights leader, and as a fixture (could one also say a “fixer?”) on the DC scene. Jordan’s story is told principally through a chronological narration of his life and accomplishment, most of it taken from recent (2019) interviews with and narration by Jordan himself. His early life in Atlanta is limned, where Jordan describes the treasured influence of his mother Mary and his early academic successes (including a law degree from Howard University). His activities in the civil rights movement in the 1960’s and 1970’s are highlighted, culminating in his ten-year tenure as director of the Urban League.
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom’s past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism. Features interviews with Matt Winston, Sandy Stone, Bruce Sterling, Jason Scott, Christina Agapakis, Trevor Paglen, Ryan Finnigan, Kit Stubbs, V. Vale, Sean Bonner, Allison Cameron, Josh Ellingson, Maggie Mayhem, Paolo Pedercini, Steve Tolin, Dan Wilcox, Jon Lebkowsky, Jan “Varka” Mulders, Adam Flynn, Abie Hadjitarkhani, Kelly Poots…
The first Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around the globe through her work as a human rights lawyer defending women and children against a brutal regime in Iran. Now the film, andquot;Un…
Retrospective documentary on the making of the low-budget horror cult favorite Night of the Demons (1988).
Villagers in Turkey’s Black Sea village of Camburnu struggle with the government’s decision to turn their community into a garbage dump.
3D printing is changing the world – from printing guns and human organs to dismantling the world’s industrial infrastructure by enabling home manufacturing. The 3D Printing revolution has begun. Who will make it?
Documentary that delves deep into the history of abortion law, revealing the contradictory ways in which women’s bodies have been used to further political and ideological agendas.
Explores Gruinard Island’s infamous past as a World War II biological weapons testing site that rendered it uninhabitable – and deadly – for decades.
Mostly Sunny is a documentary that tells the remarkable story of Sunny Leone, the Canadian-born, American-bred adult film star who is pursuing her dreams of Bollywood stardom.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
