A young woman is forced to return to her hometown to take care of her ailing father and, in turn, finds herself living a life she never imagined for herself.
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In March of 1945, as the War in Europe is coming to a close, fighting erupts between German and American troops at the last remaining bridgehead across the Rhine.
A man is released from prison after 15 years. He reunites with his high school girlfriend, now a single mother of three. What follows is a lyrical take on love, regret and second chances.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they Arrive in a small town, the actors encounter a woman bing sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors stage a performance based on the crime. Through the performance of the play, they discover a mystery.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
The film brings the paintings of Vincent van Gogh to life to tell his remarkable story. Every one of the 65,000 frames of the film is an oil-painting hand-painted by 125 professional oil-painters who travelled from all across the world to the Loving Vincent studios in Poland and Greece to be a part of the production. As remarkable as Vincent’s brilliant paintings are his passionate and ill-fated life and mysterious death.
When aspiring filmmaker David is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah, sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother, and their own pre-conceptions of what love is supposed to look like.
Set in small town Ireland in 1981, ‘Dannyboy’ tells the story of a young man trying to find love among New Romantics, Post Punks, Goths and others tribes. The film centres around Daniel, an anxious, stuttering teen in his attempt to save his demented family in the midst of a compromising love triangle.
After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.
Uptight Millie Haven has always followed the rules, but when she has doubts before her big Kansas City wedding, her attitude-prone little sister Emma, the least likely of heroes, comes to the rescue. They embark on a spontaneous roadtrip to their grandmother’s farm where, with the help of Grandma Mildred, they rediscover their bond.
