A young woman is torn between the affections of her two lovers. One is a young bachelor who brings passion into her life. The other is a married man who has kept her as his mistress for years. Architect JD has a chip on his shoulder about his father Rico never really accepting him as his son. Seamstress Sari struggles to take care of her family. The two meet by chance, and JD aggressively pursues Saris affections. Though the two are clearly a good match, there is a problem standing in the way of their bliss: Sari is the mistress of JDs father. Against his better judgment, JD continues to court Sari even after finding out this difficult fact. He hides his true identity as Ricos son, and fights to win Saris heart.
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Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and — if he has his way — every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop… except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O’Mara and Jerry Wooters who come together to try to tear Cohen’s world apart.
In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father’s sanity is challenged by a chance encounter with two underage girls on holiday.
A city girl falls for a country boy who follows her to New York, but their romance may be over when she must choose between love and a music career.
High school senior Casey finds herself seduced into the fast lifestyle of a call girl ring run by a campus police officer and must pull herself out before she loses all self-control. made for TV
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
In the vein of MEET THE PARENTS and GUESS WHO’S COMING TO DINNER, ANITA HO follows down-on-his-luck Harry Ho, who finally decides to propose to his girlfriend, Anita, on her 30th birthday. But when Anita decides to spend her birthday in Las Vegas with her entire family – who has never met Harry – the fireworks begin! Unbeknownst to the young couple, Anita’s traditional Chinese parents have a nice Chinese doctor in mind for Anita, and they don’t approve of Harry, an unpaid Korean writer.
Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
In this poetic, richly allegorical debut by Colombian director William Vega, a teenage girl flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)