Obsession, sex and illusion are exposed in a series of stories.
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Armed insurgents attempt a coup d’etat in a troubled Eastern European country, and the president flees to the U.S. embassy for protection. When the U.S. ambassador is murdered by the ruthless and gun-happy rebels, it comes down to the second-in-command of the embassy, Sam Keenan, played by Belgian kickboxer Jean-Claude Van Damme, to use his amazing martial arts technique to defend the besieged.
In a future in which most water has disappeared from the Earth, we find a group of children, mostly teenagers, who are living at an orphanage, run by the despotic rulers of the new Earth. The group in question plays a hockey based game on roller skates and is quite good. It has given them a unity that transcends the attempts to bring them to heel by the government. Finding an orb of special power, they find it has unusual effects on them. They escape from the orphanage (on skates) and try to cross the wasteland looking for a place they can live free as the storm-troopers search for them and the orb.
Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.
The social anxiety of a morbidly shy Ecuadorian dishwasher working in a Queens diner provides the psychological engine that powers this blend of drama and magical realism.
In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth.)
A naval officer stands trial for mutiny after taking command from a ship’s captain he felt was acting in an unstable fashion, endangering both the ship and its crew.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
Cancer-terminal tycoon Peter Murdoch’s secret Wexel Hall Pharmaceuticals lab has developed a blood orchid extract cure. To examine why it works optimally in snakes, they also bread a super-anaconda strain. But the original pair escapes, leaving a bloody trail of corpses. Murdoch runs, instructing his staff to clean up. They keep failing and being eaten like unsuspecting locals, some alive, even after enlisting ruthless big game hunter Hammett. The fast-growing pregnant monster sheds its skin, thus disabling the only tracking device.
Walden Dean is a stenographer, whose mind witnessed all types of injustices in the courtroom. After discovering he has a terminal illness, repressed anger deep within him surfaces — taking justice into his own hands in the most gruesome ways imaginable.
A docu-thriller that sets out to uncover the details surrounding the life, brief career, and mysterious death of horror filmmaker Karl Atticus, referred to by some as the forgotten father of the “slasher movie.” The film includes interviews with various horror historians and aficionados including Eduardo Sanchez (director of The Blair Witch Project), who posits the question: Why, for 40 years, has the story of Karl Atticus been all but eradicated from the annals of cinema history?