We all learned in schools that the WWI began with the assasination of Franz Ferdinand done by a young Bosnian Gavrilo Princip. In fact, the war was brewing much longer.
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You loved them on the Blue Collar Comedy Tour and now Bill Engvall, Jeff Foxworthy and Larry The Cable Guy have reunited for an all-new comedy special. Filmed live in front of more than 11,000 fans at the Consol Energy Center in Pittsburgh, “Them Idiots Whirled Tour” features the signature humor of three of the most successful comedians in history. From jury duty to family weddings; colonoscopies to the McRib(TM), nothing is off limits in this all new stand-up special. It also includes a brand new encore with the three guys trying to make each other laugh, as only they know how.
A fascinating look at how American agricultural policy and food culture developed in the 20th century, and how the California food movement rebelled against big agribusiness to launch the local organic food movement.
The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.
On-ice enforcers struggle to rise through the professional ranks of the world’s most prestigious hockey league, only to be confronted with a new found fight for the existence of the role itself.
Behind the Sightings follows Todd and Jessica Smith, two filmmakers from Raleigh in North Carolina, who set out to produce a documentary exploring the highly publicized, creepy clown sighting epidemic, which was investigated by local law enforcement. As the young married couple venture into Peachtree Way, Nash County, in search of clowns, what they found was far from funny.
“The Principle” brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions – the Copernican Revolution and Relativity – and, as Lawrence Krauss has said, we could be on the verge of a third, with “Copernicus coming back to haunt us”. Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza — PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.
An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world’s largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.
Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.
‘Hitting the Apex’ is the inside story of six fighters – six of the fastest motorcycle racers of all time – and of the fates that awaited them at the peak of the sport. It’s the story of what is at stake for all of them: all that can be won, and all that can be lost, when you go chasing glory at over two hundred miles an hour – on a motorcycle.
Escapes blazes a path through mid-20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and the unlikely producer and screenwriter of the landmark sci-fi classic Blade Runner. Fancher recounts episodes from his life — romantic misadventures with silver-screen stars, wayward acts of chivalry, jealousy, and friendship — matched with a parallel world of film and TV footage wherein Fancher plays cowboys, killers, fops, cads, and the occasional hero. Escapes shows how one man’s personal journey can unexpectedly shape a medium’s future.
