A young woman convenes with her extended family in a provincial village where her cousin, in a coma, is hospitalized after attempting suicide.
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Filipino-American high school student Ben (Dante Basco) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son–who has won a pre-med scholarship to UCLA–will become a doctor. The eighteenth birthday party of Ben’s sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben’s future. This fresh independent production from Gene Cajayon presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
A young man shows his millionaire grandfather a film based on Molière’s play “Tartuffe” in order to expose the old man’s hypocritical governess who covets the young man’s inheritance.
Set in a community of project houses, Iris, a young woman with a tough past, meets Renata and feels immediately attracted to her. A tender coming of age story about friendship and first love in a hostile environment.
France, around 1900. Coming from the vibrancy of Paris, pert Célestine is procured as a chambermaid in Normandy. In the Lanlaire’s villa she encounters the lecherous man of the house and his asexual, tyrannical and jealous wife. Célestine is determined to avoid the fate suffered by the cook Marianne who has already secretly killed one child born out of wedlock and now despairingly realises she is pregnant again. The lively maid is intrigued by what the mysterious manservant Joseph is up to: he distributes anti-Semitic leaflets and suggests that she could work for him as a prostitute in Cherbourg…
Coming of age as an Indigenous woman on the South Pacific Islands is a process full of change. Every island may be different but they are connected by a shared history. Everywhere she goes, Vai is someone else, and yet she remains connected to her roots.
An enigmatic actress (Emmanuelle Seigner) may have a hidden agenda when she auditions for a part in a misogynistic writer’s (Mathieu Amalric) play.
Mathieu owes everything to his friend Vincent : his house, his job, and even his life, ten years ago. With their wives, they are an inseparable quartet, and live the easy life on the French Riviera. But Mathieu discovers Vincent is cheating on his wife.
The four friends Lukas, Julius, Gino and Sanchez are trying to survive the everyday life in Neukölln, Berlin between drugs, gangs, rap, violence and boredom. Until they are one day making a serious decision with serious consequences because of a dead certain plan.
In the harsh post-war years’ Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
