A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it’s too late.
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While hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.
Jennifer and Meg Swift are two sisters who are very close despite living far apart. Jennifer is in Salt Lake City, running a successful restaurant she started with her late husband and raising her teenaged son Simon, Meg stayed in their hometown of Hazelwood, helping their parents run the local bakery.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
When an accidental death takes the life of a young boy, the family moves to a country home for a fresh start, only to discover there is something much worse than than their memories and guilt living in the attic.
Living in her family’s secluded mansion, Audrina is kept alone and out of sight and is haunted by nightmares of her older sister, First Audrina, who was left for dead in the woods after an attack. As she begins to question her past and her disturbing dreams, the grim truth is slowly revealed.
Bored with Bollywood movies but fascinated with their Hollywood counterparts from his youth, Ram dreams to become a singer and actor in America, the country where dreams are made. He is encouraged when his American-based close friend, Vijay Rao, comes for visit, and brags about driving a Mercedes and living in a penthouse.
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
Shifting from one pocket to another, from one man’s drama to another, a lowly dollar bill, ‘one buck’ takes us on an odyssey through the heart of a forgotten town in Louisiana.
Agnese and Stefano are profoundly different. She is only seventeen, lives with her mother – a harsh and devoted woman – is a regular church-goer and is about to take a vow of chastity to last until marriage. He is twenty-five, has a violent temper and a difficult past behind. He works as a warden in a car park that borders a Roma camp. Their unexpected meeting engenders a true sentiment, made of little stolen moments and mutual help.
