Coleman Silk is a worldly and admired professor who loses his job after unwittingly making a racial slur. To clear his name, Silk writes a book about the events with his friend and colleague Nathan Zuckerman, who in the process discovers a dark secret Silk has hidden his whole life. All the while, Silk engages in an affair with Faunia Farley, a younger woman whose tormented past threatens to unravel the layers of deception Silk has constructed.
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John William ‘Will’ Cooper is a modern-day rancher, maintaining his ranch in hard times along with his friend and foreman Amos Russell. When Will’s estranged daughter Jake returns to the ranch for her grandfather’s funeral, father and daughter clash over how to run the ranch and over the death years before of Jake’s mother, which she blames on Will. Crisis comes in the form of insurmountable debt, and it is only by working together that Will and Jake have any chance of saving their home and their family.
Zoé decides to hit the road to approach a writer she admires (played by the French director Jacques Doillon). She believes that a road trip might give purpose to her life. On the way, she meets Adrien, a young comedian. Intrigued by her elusive personality, he decides to follow her.
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Duke Fergus falls for Ann ‘Flaxen’ Tarry in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Boss Tito Morell, goes home, learns to gamble, and returns. After he makes a fortune, he opens his own place with Flaxen as the entertainer; but the 1906 quake destroys his place.
What happens when the undead return to life? In a world ravaged for years by a virus that turns the infected into zombie-like cannibals, a cure is at last found and the wrenching process of reintegrating the survivors back into society begins.
A young couple travels to Sweden to visit their friend’s rural hometown and attend its mid-summer festival. What begins as an idyllic retreat quickly descends into an increasingly violent and bizarre competition at the hands of a pagan cult.
At a college in Rome, a professor, nicknamed “Dodo” is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
An improv group deals with several crises, including the loss of their lease and one member hitting the big time.
A mysterious American gets mixed up with gunrunners in Syria.
Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.