This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.
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For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy … Einstein’s God Model.
A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.
Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire’s chair in Isak’s kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
Chernobyl: Abyss is the first major Russian feature film about the aftermath of the explosion at the Chernobyl nuclear power station, when hundreds of people sacrificed their lives to clean up the site of the catastrophe, and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone.
“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.
Take a peek at the life of an unhappy housewife who finds passionate love from her neighbor and how their affair brings them closer to fire.
The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.
Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.
Irina wants to go to school, get her degree and escape her dysfunctional family. Liviu, her cousin, is a businessman who lives in a village. He doesn’t believe much in the importance of an education and finds himself at loggerheads with Irina, who would sacrifice anything to go to school.
After a young theology student flees a hit-and-run accident, he is plagued by both his own guilt-ridden conscience and a mysterious, diabolical doppelgänger. But all possible escape routes lead straight to hell—literally!
A lawyer helps a funeral home owner save his family business from a corporate behemoth. In a move to bring resonance to a dry case, the lawyer digs up a complex web of race, power, and oppression that forces everyone to examine prejudices.
