The Funks

A meditation on the elemental bonds of family told through portraits of four Syrian families in the aftermath of war.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.

Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life’s work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world.

Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.

Grassroots activists in the Philippines are spurred into action when a local transgender woman is found dead in a motel room with a 19-year-old U.S. marine as the leading suspect. As they demand answers and a just trial, hidden histories of U.S. colonization come bubbling to the surface.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Shirtless comic Bert Kreischer relays personal secrets and stories about being a cool — if not always responsible — dad in this stand-up special.

Chronicles the final tour from Black Sabbath. On February 4th, 2017, Black Sabbath takes the stage in Birmingham, the city where it all began, to play the 81st and final gig of the tour and bring down the curtain on a career that spanned almost half a century.

A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.

Regular opening times do not apply as we accompany Sir David Attenborough on an after-hours journey around London’s Natural History Museum, one of his favourite haunts. The museum’s various exhibits coming to life, including dinosaurs, reptiles and creatures from the ice age. Shot by the same 3D team that worked on Gravity, examines how the animals and creatures at the London museum once roamed the earth.

Michael Sheen faces the interview of a lifetime with The Assembly, a group of autistic, neurodivergent, and learning disabled people. Expect revelation, chaos, and a lot of laughs.

The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.