When an English cartographer arrives in Wales to tell the residents of the Welsh village of Ffynnon Garw that their “mountain” is only a hill, the offended community sets out to remedy the situation. The film is based on a story heard by Christopher Monger from his grandfather about the real village of Taff’s Well, in the old county of Glamorgan, and its neighbouring Garth Hill. However, due to 20th century urbanisation of the area, it was filmed in the more rural Llanrhaeadr-ym-Mochnant and Llansilin areas in Powys.
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To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.
History professor Scott McKenzie makes an anachronistic discovery in a photograph from the Old West and he is soon joined by beautiful time-traveler Georgia in a time-skipping adventure to stop her colleague from the future from erasing her from existence.
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A few days before she travels to Mecca to perform Hajj, Ghada faces an emergency which forces her to reach out to people from her tainted past with whom she had cut off contact in order to collect a large sum of money. So, as she collects the money, will she manage to go to Mecca, or get tangled up in the past’s webs?
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