Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.
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Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
A celebration of the musical work of a group of session musicians known as “The Wrecking Crew”, a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
THE KIDS MENU is a feature documentary from the team that brought you “Fat, Sick and Nearly Dead.” As filmmaker Joe Cross spent time traveling the world with his previous two films, he met thousands of people and one issue that came up again and again was what to do about the growing childhood obesity problem. In THE KIDS MENU, Joe meets with experts, parents, teachers and kids, coming to the realization that childhood obesity isn’t the real issue, but rather a symptom of a bigger problem. The lack of knowledge of what healthy foods are. Lack of access to healthy and affordable options. And the influence of negative role models, whether a parent, teacher or even a celebrity. All of this together seems to be a lot to overcome, but when empowered, kids often make the surprising choice of the healthier path.
Based on Naomi Klein’s book This Changes Everything: Capitalism vs. the Climate, a look at how people in various communities around the world play a role in the ongoing climate change debate and how they’re affecting change in trying to prevent the environmental destruction of our planet.
The band stormed Europe in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.
Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world’s most beautiful species.
A documentary about the rise of anti-Semitism in the USA after the terrorist attacks of September 11, 2001.
A dream home turned into a nightmare after a life-changing paranormal experience. The homeowner, Alice Jackson, refuses to spend another night at her house unless someone proves to her what she experienced has a natural explanation. Directors’ Steve Gonsalves and Kendall Whelpton headed to Mississippi with their camera crew to document the real-life effects of a homeowner’s mission to get her house back from this terrifying nightmare. The approach was much like a detective chasing down leads and connecting the dots. With a no stone left unturned mindset, utilizing real scientific data via physicists, field experts and deep accurate research. The filmmakers were also adamant their film crew be very experienced in the field of paranormal research because of the sensitive nature of this case. The directors hand selected each film crew member not only for their respective production expertise but also for their dedication to the documentation of real paranormal research.
Using a wealth of rarely-seen archival footage, correspondence, and new and illuminating interviews, Julia Newman makes the case that Albert Einstein’s example of social and political activism is as important today as are his brilliant, groundbreaking theories.
An IMAX documentary about the national parks of America.
Peace Officer is a documentary about the increasingly militarized state of American police as told through the story of Dub Lawrence, a former sheriff who established his rural state’s first SWAT team only to see that same unit kill his son-in-law in a controversial standoff 30 years later. Driven by an obsessed sense of mission, Dub uses his own investigation skills to uncover the truth in this and other recent officer-involved shootings in his community, while tackling larger questions about the changing face of peace officers nationwide.
This documentary captures the extraordinary twists and turns in the journeys of Rubik’s Cube-solving champions Max Park and Feliks Zemdegs.
