A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.
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Gabriel Iglesias entertains a packed house at El Paso’s Theatre in this Comedy Central special. For I’m Not Fat, I’m Fluffy, the comedian reaches new heights of hilarity, providing eerily perfect imitations and tales too tall not to be true. He also adds a new step to his five levels of fatness, and the sixth level is sure to leave audiences rolling in the aisles.
Yes, Maria Sharapova is one of the greatest to ever play the game of tennis. Yes, she is beautiful, poised and articulate. Yes, her marketability among female athletes is unrivaled. Yes, she was embroiled in a controversy that resulted in suspension. Yet, despite all of this, the real Maria Sharapova is widely unknown. Told in her own words, with a raw intimacy never before revealed, the_point. spans the most pivotal year in Maria Sharapova’s life.
As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain
Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.