A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man’s daughter.
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Arun and Darshana are first-year engineering students and they fall in love soon after their college begins. And just as how things work generally in teenage, the road ahead isn’t too easy for them. Life offers many twists and turns that they least expect.
Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea became the first war zone of the Cold War. The legacy of war remains today in this divided country. Three forlorn teenagers, Chank-guk, Jihum and Eunok are figures in the landscape of this story, which highlights the global implications of a very Korean reality. None of them is able to escape the withering pull of tragedy. All desperate pleas for love and redemption are returned stamped in red with “Address Unknown”.
Young Jason Stillwell (Kurt McKinney) moves with his parents to Seattle, where local bullies harass them without mercy. Jason’s father Tom (Tim Baker) does not believe in violence, so the family takes it on the chin. One day Jason enrolls in a martial arts class and quietly rises in rank to be a major contender. His mettle is tested in an international match against Ivan, a Russian champion.
In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film’s audience with his own dark secret.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he’d rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul’s behavior changes – he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins… If she does, Paul will no longer explore his homosexual desires, if he does – she’ll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there’s more to life than elite colleges…
Aurore has separated, just lost her job and learns that she is going to be a grandmother.
Father Greg Pilkington is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon hearing the confession of a young girl of her incestuous father, Greg enters an intensely emotional spiritual struggle deciding between choosing morals over religion and one life over another.
Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
A boy transfers to a school in the countryside, where he finds himself attracted to a mysterious girl. The girl lives alone with her mental patient father and enjoys skating alone on the lake at night. Villagers and classmates spread rumors about the girl, but the boy doesn’t care. Then one day, her father disappears and the boy becomes witness to suspicious activity. Other than a few documentaries, this is Choi Jin-seong’s first feature film. Steel Cold Winter is no normal teenage love story.
