When a couple on the brink of divorce get stuck in an elevator together on Christmas Eve, both think it will be a nightmare. But surprisingly, the Christmas music brings back memories, the gifts they have just shopped for spark a flame, and a misunderstanding from a Christmas past is resolved. As the elevator crew works overtime to rescue them, they realize where they went wrong and rekindle a love that had never really died.
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Gabrielle seems to have it all – a devoted husband, a beautiful daughter, and a successful career in public relations. However, she soon stands to lose everything when she meets Keisha, her devious half sister who wants everything Gabrielle has.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
A combination “before the rage” and “after the rage” of world middleweight boxing champion Jake LaMotta’s tumultuous life and times.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
As a young scientist searches for a way to save a dying Earth, she finds a connection with a man who’s racing to catch the last shuttle off the planet.
A London tube driver considers pursuing a third fatal accident to collect a huge payout.
Biographic movie about the American composer Sigmund Romberg.
Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Long ago, Room 9 of the Johnson/Bedford Inn, located in a remote small town, was the site of a gruesome double murder. Decades later, with the town terrorized once again by a string of bloody ritual killings, a mysterious woman named Star arrives to investigate and suffers bizarre flashbacks related to the inn’s slayings. Is she connected to the killings…or the inn’s next victim?
