In “The Christmas Train,” disillusioned, globetrotting journalist Tom Langdon (Dermot Mulroney) must get from Washington, D.C. to Los Angeles in time for Christmas. Forced to take the intercontinental trip by train, and determined to chronicle his adventure, Tom finds himself westbound with a variety of characters. On the train is renowned movie producer Max (Danny Glover), Max’s script doctor and protégé Eleanor (Kimberly Williams Paisley), and Agnes (Joan Cusack) who occupies the cabin opposite Tom’s and seems to know his business better than he does. While all passengers on the Christmas train appear to be headed for the same destination, Tom has no idea that the rugged locomotives taking him across America will instead detour straight into his heart – into rude awakenings, his wildest hopes and dreams, and toward the opportunity for love Tom thought was lost forever.
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Harriet finds art imitating life when she discovers certain songs can transport her back in time – literally. While she relives the past through romantic memories of her former boyfriend, her time travelling collides with a burgeoning new love interest in the present. As she takes her journey through the hypnotic connection between music and memory, she wonders – even if she could change the past, should she?
An isolated family, having already lost four members to poisoning, uses rituals and talismans to keep itself away from hostile townspeople.
A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son.
Christmas for Miranda (Krakow) is a painful reminder of the family she never had. Her mother died when she was young, never revealing the identity of her father. But, three days before Christmas, she unexpectedly receives a clue as to the whereabouts that takes her to a beautiful New England town where she meets Ian (Matter), a young man who helps with her search. As the clues lead to her father’s identity and Miranda discovers the possibility of love in Ian, and she learns that her father lived in the small town and now she knows his family (her brother and her biological father’s wife). She faces a terrible decision… Should she share the truth and risk losing the family she has just found, or leave and keep the secret forever? This Christmas promises to be life-changing for Miranda with a new chance at life and love.
POUND OF FLESH is the story of two men, polar opposites who will fall from grace at the same moment,engage in moral and mortal combat, and discover that they are not that different after all.
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death – a quadruple amputee who has lost his arms, legs, eyes, ears, mouth and nose. Unbeknown to his doctors, he remains conscious and able to think, thereby reliving his life through strange dreams and memories and unable to distinguish whether he is awake or dreaming. He remains frustrated by his situation, until one day when Joe discovers a unique way to communicate with his caregivers.
A highly-evolved planet, whose denizens feel no emotion and reproduce by cloning, plans to take over Earth from the inside by sending an operative, fashioned with a humming, mechanical penis, to impregnate an earthling and stay until the birth. The alien, Harold Anderson, goes to Phoenix as a banker and sets to work finding a mate. His approaches to women are inept, and the humming phallus doesn’t help, but on the advice of a banking colleague, he cruises an AA meeting, meets Susan, and somehow convinces her to marry. The clock starts to tick: will she conceive, have a baby, and lose Harold (and the child) to his planet before he discovers emotion and starts to care?
The trilogy picks right up where True 2 left us. Gena’s awakes to find that her mysterious savior is Quadir. Before happily ever after, Gena has 72 hours to go back to Philly to check on Bria and Gah Git and let them know of her plans.