Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
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Lin McAdam rides into town on the trail of Dutch Henry Brown, only to find himself in a shooting competition against him. McAdam wins the prize, a one-in-a-thousand Winchester rifle, but Dutch steals it and leaves town. McAdam follows, intent on settling his old quarrel, while the rifle keeps changing hands and touching a number of lives.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
This hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.
Dooley and his dog Jerry Lee still are active as a police team with the LAPD. However, years starting and counting Captain Roger Byers thinks they urgently need to do something with their condition. He even forces them to work with a second team: the one of the young Sergeant Welles and her disciplined Dobermann Zeus. Dooley and Jerry Lee thinks they can work without their new partners but a mysterious sharp-shooter forces them to the ultimate cooperation
Nicoline, an experienced psychologist, starts a new job at a penal institution. She meets Idris, a sex offender who committed a series of grave crimes. After five years of treatment, he is about to go on his first unaccompanied probation. His team of practitioners are enthusiastic about his development but newcomer Nicoline does not trust him and tries to push his probation. Idris tries his hardest to convince Nicoline of his good intentions, but slowly but surely, he transforms into the manipulative man she saw in him from the beginning. A power play emerges between the two and Nicoline, in spite of her knowledge and experience, lets herself be trapped completely.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Christmas is fast approaching and years of long workdays employed at New York’s top corporate law firm are about to pay off now that Lucy Toomey will be made partner after the New Year. However, when Alice, her older sister with special needs, unexpectedly passes away, Lucy returns back to Nilson’s Bay, Wis., to attend the funeral and handle her estate. While Lucy dreads returning to her childhood home, she also feels real sorrow that she was too busy to take her sister’s last call. Once back in Nilson’s Bay, Lucy meets Peter, her old high school sweetheart and Alice’s former attorney, who informs her of the terms of Alice’s eccentric will that states in order for Lucy to inherit the family home, she must live there for 30 days through the holidays.
Set over the course of four days in modernday Dublin, this Irish dramedy revolves around two petty-criminal cousins released from Mountjoy Prison. Weed is keen to pursue fashion, if only he can break his substance addiction. Ste wants to build a better life for himself, his girlfriend and their daughter. But that’s before they get drawn into a robbery that goes spectacularly wrong in Cathal Nally’s energetic feature debut.
