Stand-up comedian Kate thinks her life has no meaning and is not worth continuing. When she’s diagnosed with breast cancer, even the universe seems to agree with her. However, a close encounter with death – and four other women on the chemo ward – might just change her mind and even her life.
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In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.
Rich Bower is an up-and-coming star in the hip-hop world. Everyone wants to be around him, including Raven and her fellow upper-class white high school friends. The growing appeal of black culture among white teens fascinates documentary filmmaker Sam Donager, who sets out to chronicle it with her husband, Terry. But before Bower was a rapper, he was a gangster, and his criminal past comes back to haunt him and all those around him.
A young woman from a small town accuses the college heartthrob of sexual assault.
American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family’s unwillingness to let go of their traditional ways.
Back in 1968, Bucky and the Squirrels topped the charts with their dance hit ‘Do the Squirrel.’ Unfortunately, on their first promotional tour, the plane carrying the band crashed and disappeared somewhere in the Swiss Alps – never to be heard of again. That is until now, 50 years later, when the plane is discovered with the Squirrels still inside – frozen alive. Naturally, they’re taken to a cryonics lab to be defrosted. Long Live the Squirrels!
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Ben and Annie are a young couple on a weekend trip to Annie’s small North Carolina hometown who, after meeting a charming old friend, embark on an impromptu ‘Bigfoot hunt’ that threatens both their relationship and their lives.
Daisy inherits a spooky old estate from her late grandfather, a martial arts master whom she never met. When she shows up on the property, she soon discovers the house is haunted by her grandfather’s spirit and the ghost of a mysterious man named William. When treasure-hunting criminal descend on Daisy’s new home, she is forced to call on her new supernatural friends to fend them off.
Disgraced by the ill-fated drug sting, ex-cop Dae-ho lives in Busan as a unofficial sheriff and looks after the town. Meanwhile, new businessman in town Dong-jin wins townspeople’s favor to start a beach resort, which becomes a huge hit. Dae-ho recalls that Dong-jin was somehow involved in the drug sting and begins an investigation, suspecting that he’s also involved in a drug case that took place recently.
