A woman struggles to recover from a brutal attack by setting out on a mission for revenge.
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Two different individuals on a journey of love, loss and life through the phases of Reincarnation.
Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.
In Brazil, Akemi finds out that she’s the heiress to the Yakuza empire. Just after that, her destiny enters a spiral of violence and mystery, where a gaijin (foreigner) who’s been protecting her all this time, Shiro, may have been actually sent to kill her.
A Moscow charity concert turns bloody when armed extortionists take the headlining American pop-star, Venus, and the Russian President with his family, hostage. The drummer of a heavy metal warm-up band, an ex-bad ass biker played by Lundgren, and a young Russian F.S.B. agent team up to fight back. Our two heroes are seriously outnumbered, and things aren’t as simple as they appear, when old ghosts from the Soviet Union appear to haunt the present in this fast paced action piece.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.