Avery’s life sucks. Then she finds a mysterious box in the basement that gives the ability to transport her to her future, but if she does, she cannot return. Skip life, or make life better? Will she make the right choice?
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Togo just wants to watch his neighbors’ homes, wash their cars and clean up their sidewalks. But the drug traffickers want more from him.
An eight-year-old boy is willing to do whatever it takes to end World War II so he can bring his father home. The story reveals the indescribable love a father has for his little boy and the love a son has for his father.
Young Musa is orphaned after a mysterious illness strikes his village in KwaZulu Natal. To help his grandmother, Musa sets out for Johannesburg with his father’s last gift, a tribal drum, in search of work and his uncle. The journey confronts him with the stark realities of urban life, but his indomitable spirit never wavers; he returns with a truth and understanding his elders have failed to grasp.
The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.
The deranged military and former CIA agent Dean Cage is in a rehab program, trying to forget the traumatic loss of his best friend Scott in Bosnia. When he dates with his girl-friend and Scott’s sister, Detective Amy Knight, in a dinning restaurant, he is mistakenly taken as being the CIA agent that is investigating the robbery of the military experiment EX by a man called Sullivan. He is injected with the drug and abducted by the thieves. Amy has six hours to find the also stolen antidote and save Dean’s life.
When Lacey takes a rare break from work for her friend Ava’s Christmas Eve wedding, she reconnects with her former flame, Ean. The two decorate the cottage where the newlyweds will spend their honeymoon – a cottage said to bring true love to anyone who stays there – and feel their chemistry return.
Trevor is a busboy who is so terrified of women that he takes in a young man addicted to heroin and then uses the drug to manipulate, coerce, and terrorize him into becoming “Dorothy”, his twisted concept of the “ideal girlfriend.”
Reveals the innermost turmoil people suffer during relationship upheavals, but which turmoil are rarely seen by others. What happens in the victim’s mind and private world, uncovering their unseen hurt and their consequent decisions and actions.
In Manhattan, the aspirant writer Jabez Stone is a complete loser: he is not able to sell his novels, he lives in a lousy apartment and he does not have success with women. When one of his friends Julius Jenson sells his novel for US$ 190,000.00 to an editor, Jabez fells envy and promises to sell his soul to the devil for success and accidentally kills a woman with his typing machine. The Devil knocks on his door, fixes the situation and seals a contract with Jabez. His low quality novels have bad reviews but become best-sellers; Jabez enriches; has success with women, but has no time for his friends. Jabez meets with the publisher Daniel Webster who offers him a chance to break the contract with the devil.
In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his “Merantau” a century’s old rites-of-passage to be carried out by the community’s young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
Eero is a writer, whose career is in a downward spiral, and he is badly struggling to write his new novel. Pihla is an ambitious actress on the verge of an international breakthrough. Neither of them is willing to sacrifice their careers even though their relationship is doing worse than ever. Eero ends up resorting to unusual and even desperate measures in order to get his career going again. The determined Pihla decides to juggle her career with her new role as a mother. But is there room in their relationship for these grandiose plans of theirs? Eero and Pihla go their separate ways to find answers from distant places such as Havana, the Atlantic Ocean, Hollywood, and Lapland.