Two down-and-outs bonded together in misfortune devise a plan to rob a small town amusement arcade.
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Paul left the police force after mistakenly killing his partner. Now he is a driver for rich guy who’s daughter is kidnapped. He will use his skills to save the girl but he will also uncover secrets the family was hiding for years.
Blood Brother takes place on he mean streets of a city in decay, where a recently released convict begins to take a murderous revenge against his childhood friends, whom he believes let him take the fall for a crime they collectively committed. As the bodies start piling up, one of the friends, now a cop, will stop at nothing to put and end to the murderous rampage and to right the many wrongs of their tragically violent past.
Based on the true story of Ruth Ellis, the last woman hanged in Britain, Mike Newell’s Dance With a Stranger (1985) concentrates on Ellis’s (Richardson) short-lived relationship with motor-racing driver David Blakely (Rupert Everett).
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
In the debut movie from Griselda Films, Hunter comes home from prison and attempts to get his life on the right track. Will he succeed or be dragged back into his criminal past? He is, as the title suggests, conflicted. And Michael Rapaport is in a scene.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It’s not a military objective. It’s The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops’ tormentors are not the enemy, but their own comrades-at-arms.
The time is the late ’80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.
Puglia. Burnt by the sun and by hatred, the promontory of Gargano is contested by criminals who seem to come from a remote past governed by the law of the jungle. An archaic land reminiscent of the Far West, in which blood is washed away with blood. An old feud between two rival families is rekindled by a forbidden love: the one between Andrea, reluctant heir of the Malatesta, and Marilena, beautiful wife of the boss of the Camporeale clan. A fatal passion that sets the two clans at war again. But Marilena, banished by the Camporeale and prisoner of the Malatesta, disputed and abused, will oppose a fate already written with a mother’s strength.
Ten individuals set out to find themselves in an alienating world, filled with heartbreak, deception and tragedy. With so much at stake, these strangers struggle to overcome their fates and find their place in a frequently harsh and unforgiving world.
