Shot over ten years and prompted by the death of her father, filmmaker Joan explores Britain’s colonial past and the legacy her dual black and white heritage has had on her life.
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James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
For centuries the telling of ghost stories has been a much-loved English tradition, and it’s not only phantom specters that delight a susceptible audience. Witches, both good and evil have also been included in such terrifying tales for as long as anyone can remember. “Ghosts and Witches of Olde England” is a remarkable journey, touring around the country to explore some of the best examples of fright inducing folklore ever related.
An elixir to our current state, “Dear Santa” takes us on the fanciful and poignant journey of a little known program called Operation Santa. For more than 100 years, human elves have been helping Santa respond to the thousands of letters children write and mail to him. This gripping documentary crisscrosses the country, following the most emotional letters as the elves work hard to make sure each child’s Christmas dreams come true.
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Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux.
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