The second movie of a four-part finale of Tamayura.
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They couldn’t be more different, the members of the trio that allies in the fight against an Ancient Ice Ghost (AIG): Tom, an easily scared boy, Hetty, a professional ghosthunter and the loveable, but pretty slimy Hugo – a ghost. Will the team manage to save their town from the next ice age?
A couple who have known each other since 8 are destined to be together until death do them apart.
Rebecca must throw the company holiday party with office rival, Chris. It coincides with Hanukkah, so she must juggle her work, family traditions, and nemesis to make the party a success.
Pim lives in a run-down house in a dead-end street somewhere on the Flanders coast, together with his mother Yvette Bulteel. Life here smells of cold French fries, cheap cigarettes, vermouth and stale beer. Mother Yvette uses her friend Etienne, with his lousy grey Fiat, as a driver for the nights she has to “perform”. As a kid Pim dreams of a better life, imagining princesses and beauty queens. But when Pim turns 16 he dreams of Gino, the handsome boy next door, instead. Ever since they were children there has been this tension between them. Now Gino is Pim’s motorcycling hero. Cold mockery, little humiliations and tiny bits of hope make up Pim’s life. No wonder he sometimes flees to his dream world.
On a television show billed as “the greatest fight show on Earth,” eager amateurs with lots to prove boldly step into the ring and expect to leave bloody but victorious. The ratings hungry producers seek out “legendary” but largely forgotten streetfighters and mine their desperation for recaptured glory and redemption into ratings gold.
The film’s story centers on Musashi Miyamoto, one of the most famous swordsmen in Japanese history. He pioneered the Hyouhou Niten Ichi-ryuu style of two-sword fighting and wrote “The Book of Five Rings,” a book that has been compared to Sun Tzu’s “The Art of War” for its insight on tactics and strategy.
Based on the novel of the same name by Fyodor Dostoevsky. The tragic story of the Karamazov family takes place in a Russian province in the late 19th century. The relations of their father and three brothers are very complicated and contradictory. One of the brothers is accused of killing his father, whom he did not commit. The brothers are unable to help him, and only a loving girl follows him to hard labour.
Gunner and his mother share a special bond. She supports his daydreaming and artistic pursuits, while his frequently-on-the-road father, Amos, with whom Gunner shares a strained relationship, has other ideas about where his son’s interests should lie. Gunner and his dad attempt to smooth over their differences for the sake of the family, but when his mom’s sickness worsens, Gunner disappears into stacks of books on both science and the supernatural in search of possible cures. When Gunner and his rebellious friend Jo go missing during their quest into the Water Man’s mysterious forest, Amos must immerse himself in his son’s world to find them and put his family back together.
Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver’s pistol.
With his carefree lifestyle on the line, a wealthy charmer poses as a ranch hand to get a hardworking farmer to sell her family’s land before Christmas.
As the youngest of the family, Sam is haunted by the notion that someday he could become the last remaining survivor, all alone. On a family vacation at the beach, he meets the unconventional Tess, who carries her own secrets around with her and shows him how the present moment can win out over memories and anxiety about what’s yet to come.
Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
