A coming-of-old-age story of an eccentric Tailor who doesn’t quit fit into the world and has isolated himself into the attic of the family’s tailoring shop. On the verge of losing everything, he finally gets triggered: with a wondrously strange bricolage coach-a tailor shop on wheels- he reinvents his life and his craft. He changes the brides of Athens and falls in love for the first time in his 50s.
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The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
Lora Meredith, a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson, a black widow. Annie becomes the caretaker of Lora’s daughter, Suzie, while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora’s thirst for fame threatens her relationship with Suzie, while Annie’s light-skinned daughter, Sarah Jane, struggles with her African-American identity.
Elmer Fudd attends a musical concert, only to find it’s Daffy Duck performing a song about escaping hunters, and Elmer is unable to contain himself, donning his hunting gear and chasing the duck as he finishes his song.
Bertolt Brecht, a theatre revolutionary, poet of the state, outsider, looks back on his life in 1956, the year of his death, in East Berlin: from provocations in the Augsburg of the First World War, to the early poetic and amorous height flights in Munich and Berlin in the 1920s, his escape from Hitler and US exile, followed by his later years caught in a dilemma between timeless classic and a failing GDR class fighter, an inflexible free man and a compromised Artist.
A Christian girl, Rachel Whitaker (Jordan Trovillion) goes off to college for her freshman year and begins to be influenced by her popular Biology professor (Harry Anderson) who teaches that evolution is the answer to the origins of life. When Rachel’s father, Stephen Whitaker (Jay Pickett) senses something changing with his daughter, he begins to examine the situation and what he discovers catches him completely off guard. Now very concerned about Rachel drifting away from her Christian faith, he tries to do something about it!
Three close friends find themselves in dangerous situations when each of them try to end the toxic relationships they’re in.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
A debt collector strikes a deal with a debt-ridden woman struggling to care for her ailing father: he will take care of her bills if she agrees to date him.
In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).
After Sabrina is abducted, she finds herself in an underground lair, forced to do battle with other innocent women for the amusement of unseen spectators. Each of these reluctant warriors has something to lose, but only one will remain when the game is done.
Hoping to foil his own gold-digging wife’s plan, a loathsome businessman arranges his own kidnapping, only to realize that there are plenty of other people interested in his wealth as well.
