In Martha’s Vineyard, Mass., conjoined twins Walt (Greg Kinnear) and Bob Tenor (Matt Damon) make the best of their handicap by being the fastest grill cooks in town. While outgoing Walt hopes to one day become a famous actor, shy Bob prefers to stay out of the spotlight. When a fading Hollywood actress, Cher (Cher), decides to get her show “Honey and the Beaze” cancelled, she hires Walt — and his brotherly appendage — as her costars. But their addition surprisingly achieves the opposite.
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A medieval tale with Pythonesque humour: After the death of his father the young Dennis Cooper goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called ‘Jabberwocky’. Will Dennis make his fortune? Is anyone brave enough to defeat the monster?
Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate’s boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa’s true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
A Jewish-American Princess is forced to take control of a hard-core hip-hop record label and tries to rein the one of the label’s most controversial rappers.
A Taiwanese drug mule has his foolproof smuggling method thrown out of whack when he catches a ride with the wrong cab driver.
Gu Xiaojiao, a young girl from 2018 and Lu Ming, a man from 1999, discovers that they have both woken up in the same bed at the same space-time. More surprisingly, they realize that they can time travel through exiting the bedroom door. The fun begins when start to plan a lot of changes within these two eras. However, they do not know that their destiny is in the hands of a mysterious person.
An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.
A young man (Puneeth Rajkumar) finds himself in too deep after taking an injured protester to a hospital.
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
