“Stonewall” is a drama about a young man in New York caught up during the 1969 Stonewall Riots, a pivotal event widely considered the starting point for the modern gay civil rights movement.
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After a three-year stint in prison, an unreasonably optimistic middle-aged man returns to his stagnant neighborhood to win back his girlfriend only to find that she and his family have done what they always wanted to do — forget he exists.
After discovering a sacred stone in the mouth of a deer he just killed, Taibei, a young lonesome Tibetan cowboy, embarks on a long and difficult mission: to bring it back to the holy mountain of Buddha’s handprint. His journey turns sour as an obstinate woman, Joan, and a psychic yet dumb elf, Pu, soon decide to join him. Not to mention the two violent brothers on his tale, who are on a revenge quest.
The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he’s trapped in an automobile crash.
A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…
In a city where greeting card writers are celebrated like movie stars, Romance writer Ray used to be the king. In trying to recapture the feelings that once made him the greatest, he gets entangled in a web of murder and deceit as writers vie to create the perfect card for a new holiday: Girlfriend’s Day.
Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.
Two serial killers meet and fall in love in an asylum for the criminally insane. Upon escaping their corrupt captors, they flee to the country to try and lead a happy, normal life. Unfortunately, “normal” turns out to be a state of mind…an elusive state of mind.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
A member of an Israeli anti-terrorist unit clashes with a group of young radicals.
Two worlds collide when a young Amish girl discovers she was adopted by a wealthy family. As she seeks her birth mother, overcomes the obstacles of a lost fiance, and a crafty gold-digger who seeks the fortune of her birth mother.