A black as tar comedy charting the dissolution of a commune for sober living in ’90s suburban New Jersey.
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April 14, 1865. One gunshot. One assassin hell-bent on killing a tyrant, as he charged the 16th President of the United States. And in one moment, our nation was forever changed. This is the most dramatic and resonant crime in American history: the true story of the killing of Abraham Lincoln. From Executive Producers Ridley Scott and Tony Scott, and narrated by Tom Hanks, National Geographic Channel’s first ever docudrama, Killing Lincoln, based on the New York Times bestseller, combines re-creations with historical insight in a thrilling chronicle of the final days of President Lincoln and his assassin, John Wilkes Booth.
When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
Salvatore Sebergandio presents aged mafia Hit-Man, (Robert Woods), who is sent to Los Angeles’s San Fernando Valley to hang low after a major job, but while in L.A., the Hit Man gets involved with a Witch (Shannah Laumeister Stern) and two Mafia brothers, (Marco and Marcello Cacioppo) who live in a world that blurs reality with fantasy; all for power and wealth; as members of a Hollywood cult are eliminated.
Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
After terminally ill Bussan finally passes away he misses hanging out with his still living friends and decides to return to Kisarazu. In his ghost form however only his most trusted friends can see him, and his meddling in the lives of the living results in the return of Ozzy and a long dead team of American baseball players who drowned off the shores of Kisarazu. It’s down to Bussan and the Cats to save the day and restore the town to order, but can Bussan bring himself to say bye-bye once and for all?