“STATISTICS” tells the story of six individuals who all share one thing in common: they will become statistics by the end of the day. They are neither heroes nor criminals, but everyday people who will become victims of everyday life. The events that take place will be read about today and forgotten tomorrow, but in that blink-of-an-eye, their lives and the lives of the people around them will be changed forever. It happens every day. Despite the tragedies, this is not a story about dying, but is in fact a very uplifting story about living. The message is simple: cherish life today because no one is guaranteed a tomorrow.
You May Also Like
Cynical reporter Charity (Amber Stevens West) gets the opportunity of a lifetime when her boss, Janet (Cheryl Ladd) assigns her to profile Erik Gallagher (Marco Grazzini), a handsome bachelor who organizes millions of dollars to help the less fortunate every Christmas.
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
A road trip to Kolkata brings Piku, an architect, closer to her ageing but nagging father Bhaskor Banerjee despite their disparate ideologies and fights over trivial issues.
After a kidney transplant, Jake Warren experiences reoccurring nightmares he believes to be visions of his donor’s violent murder, sending him on a dark path of vengeance, leading to an unbearable truth.
A disgruntled priest, conflicted with his faith, has his world turned upside down when an unlikely person enters his confessional.
A journalist sets out to uncover the truth behind an incident, through the perspectives of different people, unraveling how they and their lives are intertwined with it.
Two master thieves (Brosnan and Hayek) are finally retiring after one last succesful mission. Residing in their own tropical paradise, their old nemesis, FBI Agent Stan P. Lloyd shows up to make sure they really are retired. Docked in the port is an ocean liner called the “Diamond Cruise” and Stan is convinced that they’re not really retired at all, and that this is the next set up.
Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.
Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.
A painter, a fighter, both artists in their own way. Brother and sister, forced to flee their home, arrive at Seattle inside a shipping container. Trying to make their way in a new world the pair struggle to survive. Until, one day, an art dealer takes an interest in the sister’s painting, and the pair find themselves living a dream come true. The sister loses herself in painting, and the brother seizes the opportunity to express himself, as a fighter. But it really is all just a dream. Conned by her patron into forging a Van Gogh. Purchased by a ruthless criminal with a passion for fine art. The brother and sister soon find themselves embroiled in Seattle’s criminal underworld and a Brush With Danger.
Hallie Parker and Annie James are identical twins separated at a young age because of their parents’ divorce. unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places. Hallie meets her mother, and Annie meets her father for the first time in years.
