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A romantic-drama, OLD FASHIONED centers on Clay Walsh, a former frat boy who gives up his carousing and now runs an antique shop in a small Midwestern college town. There, he has become notorious for his lofty and outdated theories on love and romance. When Amber Hewson, a free-spirited young woman with a restless soul, drifts into the area and rents the apartment above his shop, she finds herself surprisingly drawn to his noble ideas, which are new and intriguing to her. And Clay, though he tries to fight and deny it, simply cannot resist being attracted to her spontaneous and passionate embrace of life. Ultimately, Clay must step out from behind his relational theories, and Amber must overcome her own fears and deep wounds, as the two of them, together, attempt the impossible: an “old-fashioned” courtship in contemporary America.
Everything is under control, she thinks. Everything is lost, he thinks. And then they meet. And fall.
Joshua, a freshman, goes to school everyday, because he has to. Everyday he gets picked on, beat up, and bullied. His teachers aren’t aware, security can only react to what they see and his only friend, Stephen, is too afraid to step to his defense. Rage has a way of hiding itself until it’s too late, and in Joshua rage is buried deep. There are signs that his rage is trying to escape, but no one sees them. He indulges his anger in the games that he plays, the lists that he keeps, and the movies that he watches. Until one day he gets pushed too far.
In the near future, after an unspecified holocaust, survivors are herded into prison camps. There, they are hunted for sport by the leaders of the camp. Paul, one of the newest prisoners, is determined not to go down as quietly as the others.
The drug cartels are putting a financial strangle hold on a small Texas town, forcing a Vietnam vet to lose his job at a local garage. He soon learns about one hundred thousand dollars buried by the cartel in a false grave.
Dagmar works at a gas station struggling to pay her debts. Lippo is fired by his chef swearing revenge. Karl and his weird friend Rizzo find a bag filled with money which lead them to rash actions. Three car crashes. Three days. Three stories.
Based on true events, Faith is proud to finally be a cop in her hometown where she joins old flame Paul on the force. She is soon troubled and a bit disappointed when he becomes romantically involved with Jessica, a dangerous beauty with a criminal past. So when Jessica starts an affair with an impressionable young man, Faith must build a case against her before Jessica puts her deadly plans in place.
Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte’s attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.
Thirteen year old Sam Cleary suspects that his mysteriously reclusive neighbor Mr. Smith is actually the legendary vigilante Samaritan, who was reported dead 20 years ago. With crime on the rise and the city on the brink of chaos, Sam makes it his mission to coax his neighbor out of hiding to save the city from ruin.
Speedboat racing champion and multimillionaire, Ben Aronoff (Don Aronow), leads a double life that lands him in trouble with the law and drug lords.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
