A group of sorority girls go up to a cabin in the woods accompanied by some boys. To their dismay, there is an escaped convict on the loose as well as the uncle of one of the girls. It’s too bad that Uncle Ray is possessed by an Indian spirit turning him into a monster with a need for human blood.
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BASTARD follows newlywed, hitch-hiking serial killers, a brother and sister on the run, and a suicidal, alcoholic cop as they get caught in an increasingly bizarre series of murders committed by a masked killer near a mountain-town bed and breakfast.
A woman uncovers sinister secrets while investigating the apparent suicide of her sister.
Six ambitious forensic undergrads are pitted against one another on a scientific expedition to a remote island, vying to win an esteemed trainee position with the FBI. Unbeknownst to them, the site was formerly used as an illegal biological testing ground for life-term criminals who were then left for dead. The arrival of the students disturbs the resting place, unleashing a pack of zombie criminal convicts who systematically hunt them down, one by one.
People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters persue the answers to this mystery which could save their live
Taxi driver David, who’s doomed after a terminal cancer diagnosis, accidentally kills hotel owner Patrick in a car crash. Patrick’s girlfriend takes over his hotel by a lake in Hong Kong, which is soon plagued by serial suicidal incidents.
After being arrested, a Texas man begins confessing to the brutal murder of over 200 women. He recounts his random selection of victims and his traveling companions, his friend and friend’s sister. But the police can’t be sure whether to believe him or not until he locates a body and shows them some polaroids. Based on the true story of Henry Lee Lucas.
Bride of Frankenstein begins where James Whale’s Frankenstein from 1931 ended. Dr. Frankenstein has not been killed as previously portrayed and now he wants to get away from the mad experiments. Yet when his wife is kidnapped by his creation, Frankenstein agrees to help him create a new monster, this time a woman.
The story centers on Billy, an effeminate fan of vintage science fiction action thrillers. His only friend is Cameron, a nerdy film buff who tries to boost his confidence whenever he can. After seeing a UFO land, Billy retreats into his head, imagining that aliens are taking over the town. Cameron is skeptical, as is the rest of the town. Meanwhile, people are starting to die. First, the reclusive cat lady, Percis, is discovered mutilated by Lester, the churchgoing husband of Carolyn, Percis’s depressed caretaker. Random deaths soon follow, first a jogger, and then a janitor at the Carbonics Warehouse. A pair of news reporters share this information with the public while the Detective and his Chief try to solve the killings.
In a small New Mexico town, a 17-year-old high school girl who just got her driver’s license gets into her first Fender Bender, innocently exchanging her personal information with an apologetic stranger. Later that stormy night, she is joined in her desolate suburban home by a couple of her school friends who try their best to make a night out of it, only to be visited by the stranger she so willingly handed all of her information to — a terrifying and bizarre serial killer who stalks the country’s endless miles of roads and streets with his old rusty car, hungrily searching for his next unsuspecting victim.
In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.
An actor named Kosuke plays the role of Iemon in a stage version of Yotsuya Kaiden and his new lover Miyuki plays Oiwa. However, as they delve deeper into their respective performances, the line between fantasy and reality becomes obscured until the murderous, vengeful themes of the play bleed into their own relationship.