Three adolescent boys become captivated by the queer nightlife over summer break, but a missing person pulls them back into the reality they tried to leave behind.
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After her boyfriend mysteriously leaves her with little explanation, a doctoral candidate in anthropology at a prestigious East Coast university Sara Quinn is left looking for answers as to what went wrong.
Scudder is a detective with the Sheriff’s Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his drinking problem and this alcoholism causes him to lose his job, as well as his marriage.
A fast food clerk’s life spins out of control when he meets a cute but murderous hitchhiker.
A teenage boy reluctantly turns to the streets to earn $6,000 a month for his mother’s cancer medicine and quickly discovers that street money does not come easy. When an old family friend makes him a syndicate boss, jealousy and greed immediately turn his friends against him. With pressure mounting from all sides, he must choose between saving his mother’s life and saving his own.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
A reserved woman executive begins having vivid dreams about a young girl she hardly knows, being brutally murdered. As the dreams intensify, she calls the police and two skeptical detectives are called in. Her husband is the last person to believe her, but the first person she begins to suspect. Then, one of the detectives begins to have the same dreams..
A caper film about the unlikely gang of retirees that pulled off the daring Hatton Garden jewellery heist of 2015.
This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.
