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At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man’s diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn’t tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he’s not dying at all (while he doesn’t) and she believes it’s just a lame excuse to hide an affair, so she decides to leave him.
What does it take to admit your overprotective mother is right? Annabel, young and free-spirited living in San Francisco, faces this awful truth when her mother, Joan, unexpectedly visits from her small Midwestern hometown. When Annabel’s elderly neighbor passes away, Joan insists it’s murder. Annabel dismisses the theory as Joan’s usual hysteria about big city living until Annabel herself stumbles across another body right before it disappears. Without evidence for the police, Annabel blunders through a comical investigation with Joan as her only ally and a murderer who may be on to their amateur sleuthing.
Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film. Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.
Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.
L. Frank Baum is attempting to write a new story. Before he has written more than his name, he is interrupted by his youngest son, Kenneth, and their dog, Dorothy. Persuaded to write about Santa Claus by Kenneth, and with the support of hos butler, he spins a yarn about a “Santanapping” preventing Santa Claus from performing his annual duties and the ambition of the young ryl, Whisk, to assist in Santa Claus’s rides, who, with Kilter the pixie and Nutter the knook, has to do just that, according to Santa Claus’s emergency orders.
Four young women continue the journey toward adulthood that began with “The Sisterhood of the Traveling Pants.” Now three years later, these lifelong friends embark on separate paths for their first year of college and the summer beyond, but remain in touch by sharing their experiences with each other.
Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be ‘no marriages’ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.