Veronica, an aging film star, retreats to the Scottish countryside with her nurse Desi to recover from a double mastectomy. While there, mysterious forces give Veronica the power to enact revenge within her dreams.
You May Also Like
An ambitious carnival man with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist who is even more dangerous than he is.
It is the story of an 18 year old boy who falls hopelessly in love with a 25 year old woman. A woman he cannot have, but a woman he cannot help but desire. And, as is the case with desires unfulfilled, they turn into obsessions. The movie emphasizes that in a world of temptation, romance is temporary, love is lonely, but addiction is forever
A man and woman share a telephone line and despise each other, but then he has fun by romancing her with his voice disguised.
Emmy’s book about living on an Australian farm is about to be a publishing sensation – and the CEO publisher and her handsome son are coming to see her country life firsthand. Only problem is, it’s not her life!
Michael McIntyre is back with his brand new show Happy and Glorious. Following the record breaking successes of Live and Laughing, Hello Wembley and Showtime, Michael returns to the stage to do what he does best; make everyday life face-achingly hilarious. Happy and Glorious was recorded at the O2, where Michael has now performed 27 times, more than any other artist in the world. Michael throws everything in to this memorable performance that has over 15,000 rolling in the aisles and on their feet at the end. Not to be missed!
Kim, an honor student, popular and responsible, who after a disastrous house party makes a bad decision. After crashing her car and almost kills a classmate, leading to consequences for her and the party host’s parents.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Set in the belly of Los Angeles’ criminal underworld, Arc is the story of Paris Pritchert, a former police officer turned drug dealer and addict, who embarks on a quest to find a missing child in the hope of redeeming his eroding character. The only catch is, like all addicts, Paris’ confidence completely relies on the drugs in his system and — in this case — his firm belief that he can succeed in his mission if he can just stay high 24/7 and alive long enough to see it through. To aid in the endeavor, Paris enlists the help of Maya Gibbs, an African American prostitute versed not only in the language of the street, but also in the words of Maya Angelou and Nadine Gordimer. And together, the path of this dysfunctional duo crosses with those of the child’s parents, a doctor with a penchant for soliciting “Street Boys”, a self-ascribed King Of Porn, a drug supplier with a gift for making impeccable hors d’oeuvres, and a hardened cop with more scams than the most adept street hustler.
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).