Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.
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Based on the novel by Andy Zeffer, “Going Down in LA-LA Land” is a riveting and uncensored look at Hollywood. It is a story that reveals how friendships sustain us and keep us going. It is a tale that reflects our celebrity-obsessed culture. It is a revealing look at some people’s desire to be loved, adored, and adulated at any cost. Readers have grown to adore the flawed and imperfect, yet earnest and likable characters of Adam and Candy. Now movie audiences will have the same opportunity to follow their rocky ride through Hollywood, and all the laughs that go along with it.
It’s six o’clock and Emma Sheffield has a lot to do before sunset. But a domestic dispute with her husband Reed threatens to throw a wrench in the gears. As disagreements turn into accusations, Emma has precious minutes to lock her husband away before the monstrous thing they have kept secret begins to break free.
A dysfunctional family gathers together for their first Christmas since their mom died.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60’s Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
After moving to Pasadena, Texas, country boy Bud Davis starts hanging around a bar called Gilley’s, where he falls in love with Sissy, a cowgirl who believes the sexes are equal. They eventually marry, but their relationship is turbulent due to Bud’s traditional view of gender roles. Jealousy over his rival, Wes, leads to their separation, but Bud attempts to win Sissy back by triumphing at Gilley’s mechanical bull-riding competition.
United States, 1926: Dutch 24-year-old Willy Wolters has immigrated to the American continent with her parents as a child. She dreams of becoming a conductor, but this is an ambition that no one takes seriously. Unbeknownst to her, she’ll also become Antonia Brico.
An American neurologist (Tamela D’Amico) uproots her life to study music therapy in India and ends up helping people with disabilities by bringing them together through music.
In 1970, Joey and Pete left Nova Scotia to try life in the big city in the Canadian Classic Goin’ Down the Road. Now, some forty years later, Joey has died, and Pete must fulfill his last wish: to take his ashes back to Cape Breton Island, as well as a few other tasks along the way. Armed with a series of letters and an envelope full of money, Pete heads back home. DOWN THE ROAD AGAIN is a touching, comedic and romantic tale of second chances at life and love.
A tough-as-nails burglary crew from the streets, a Cuban cartel, heavy into voodoo, ruthless Albanian gangsters, and a blood diamond deal that erupts into all out violence. This throws the criminal underworld into chaos. Double-crosses and brazen gangland executions entwine everyone in a street war that plays out to an explosive ending.
