Seven Something is a love story and was shot by three different directors. As such, the film is divided into three parts; the first is named “14,” featuring problems of two teenagers and social networks. The second part is named “21/28” and is about two former actor and actress lovers who work together again after being apart for seven years. The third part is called “42.195” and is about a woman who meets a young man who encourages her to complete a marathon
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The life story of traditional Irish folk singer Joe Heaney, who is estimated to have recorded in excess of 500 traditional Irish sean nós (‘old style’) songs. Heaney moved from Ireland to the UK, and then on to New York City, where he settled shortly after performing at the Newport Folk Festival in 1965.
In 1942, Friedrich Weimer’s boxing skills get him an appointment to a National Political Academy (NaPolA) – high schools that produce Nazi elite. Over his father’s objections, Friedrich enrolls. During his year in seventh column,Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area’s governor, is central to this education.
The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn’s grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy’s apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.
A college freshman returns to Los Angeles for the holidays at his ex-girlfriend’s request, but discovers that his former best friend has an out-of-control drug habit.
Le Mirage is the perspective of a man in his thirties asking himself “what am I chasing?” Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and “stuff” becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren’t meant to lead.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al’s Toy Barn kidnaps Woody. Andy’s toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
A film adaptation of a book written in 1963. It tells the true story of Wilkerson’s first five years in New York City, where he ministered to disillusioned youth, encouraging them to turn away from the drugs and gang violence they were involved with.
