A story about a young couple who escapes to a beach house in order to sort out their relationship but finds themselves entangled in a trap set by a seductive stranger.
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A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.
Newlyweds Mary and Matt celebrate Christmas – and their passion for running – with two honeymoon tickets to Africa’s ultimate footrace, The Furnace. Their excitement to race together across the biggest animal reserve in the world has them inspired. Then in a horrific flash, everything’s gone including Mary’s purpose for living.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
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