Seal Team Eight must fight their way deep into Africa’s Congo, decommission a secret uranium mine, and stop our most dangerous enemy from smuggling weapon’s grade yellow-cake out of the country.
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Two strangers feel a supernatural connection after being involved in the same accident.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Mie’s (Haru) father died during the aftermath of the 2011 Tōhoku earthquake and tsunami. One day, she finds a bundle of unsent New Year’s cards, which languished there for 28 years. To find out why the cards were never sent, Mie tracks down Haruhiko Sakacho (Kiichi Nakai). Haruhiko played on the same high school baseball team with her father. Mie eventually gathers together her father’s former teammates to play in the Masters Koshien (a senior league baseball tournament). Mie also uncovers a truth about her father and the baseball team.
Le Ly lives in a small Vietnamese village whose serenity is shattered when war breaks out. Caught between the Viet Cong and the South Vietnamese army, the village is all but destroyed. After being both brutalized and raped, Le Ly resolves to flee. She leaves for the city, surviving desperate situations, but surviving nonetheless. Eventually she meets a U.S. Marine named Steve Butler who treats her kindly and tells her he would like to be married — maybe to her.
Robert Woodfield is a criminal defense attorney, and he has defended a lot of criminals, many of whom are guilty, but has maintained that everyone deserves a competent defense, which he provides whether they are guilty or not. Currently he is defending Martin Ritter, a killer, whom he gets off. Later he has dinner with a friend, and his friend tells him that he needs to talk to him about something important. He is about to leave when some masked men go to his friend and kill him, when one of the men takes off his mask; it’s Martin Ritter. Now being his lawyer, Robert can’t say anything about what he saw. But that doesn’t stop him from investigating what his dead friend was so worried about. It seems that he has stumbled onto something big, and instead of killing him they frame his wife for murder to get him to back off. But he doesn’t and both his wife and him are now in danger. And still has no idea what’s going on. Will he find out before they get to him?
Daffodils is a bittersweet love story told with beautiful re-imaginings of the most iconic New Zealand pop songs from artists like Crowded House and Bic Runga.
The film, based on the William Sirls book, follows a small-town pastor, his wife and their sick child as a mysterious man is sent to give them hope. Sirls adapted his book for the screen, writing the screenplay with Aviv Rubinstein and Richard Clark Jr.
Yummy is an orgy of blood, violence and fun in which a young couple travel to a shabby Eastern European hospital for plastic surgery. The young woman wants a breast reduction. Her mother comes along for yet another face-lift. Wandering through an abandoned ward the boyfriend stumbles upon a young woman, gagged and strapped to an operating table; she is the result of an experimental rejuvenation treatment. He frees her, but does not realize he just caused the outbreak of a virus that will change doctors, patients and his mother-in-law into bloodthirsty zombies.
