Scream for Me Sarajevo

Thousands of years ago a special, genetically advanced race of beings came to Earth. They were seen as Gods by primitive man and worshipped. They set themselves apart. Some mated with humans and created a special race. When the beings departed, a hybrid species remained and taught mankind. The human race, which had existed for tens of thousands of years as hunters and gatherers, now had systematic knowledge on a startling level. They control our hearts and minds; they control this world; they control every individual from the depths of outer space. From the moment you are born, you are numbered and moved through a process to feed their machine. Nobody is truly free. We are all working for the masters. On rare occasions, they are revealed to the world and in the 18th century we had a glimpse of their massive power. We know them as the Illuminati. From huge international corporations, to hidden governments, from secret societies to medicine, the Illuminati are in control.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.

The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.

“A riveting, emotionally charged rock doc like none before it. This decade long journal follows the band and phoenix-like implosion and spiritual immersion of their front-man, who was born with a genius like gift to create hit music.”

Documentary short following one family and the residents of Ventura County, CA through a journey of devastation, repair and survival after one of the largest wildfires in state history—the 2017 California Wildfires—destroys their beloved community.

Documentary filmmaker Doug Block had every reason to believe his parents’ 54-year marriage was a good one. But when his mother dies unexpectedly and his father swiftly marries his former secretary, he discovers two parents who are far more complex and troubled than he ever imagined. 51 Birch Street is a riveting personal documentary that explores a universal human question: how much about your parents do you really want to know?

Dick Proenneke retired at age 50 in 1967 and decided to build his own cabin in the wilderness at the base of the Aleutian Peninsula, in what is now Lake Clark National Park. Using color footage he shot himself, Proenneke traces how he came to this remote area, selected a homestead site and built his log cabin completely by himself. The documentary covers his first year in-country, showing his day-to-day activities and the passing of the seasons as he sought to scratch out a living alone in the wilderness.

In the midst of World War 2, a OSS officer leads a group of female pilots on a mission to deliver a secret weapon, only to crash land on an island in the Pacific after an encounter with a deadly storm. On the island, they must not only contend with a small band of Japanese soldiers but the native inhabitants of the island as well – vicious prehistoric Pterodons.

When “Take On Me” reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.

Down-and-out lounge singer Johnny Slade is hired by a mystery man to open a hot new club, the catch being he’s given a new–and terrible–song to sing each night. Noticing that whenever he sings one a new crime is committed, Johnny gradually realizes his songwriter-benefactor is a powerful mob boss in hiding and his “Greatest Hits” are the only way the man can give orders to his crew…

Marc Emery, Canada’s most prominent marijuana activist popularly known as the “Prince of Pot,” faces extradition to the U.S. and a possible life sentence for selling marijuana seeds. “Prince of Pot” follows the controversial self-made leader of the marijuana movement as he attempts to raise an army of pot activists and lead them into battle against the U.S. Federal Government and their drug enforcement police, the D.E.A. Through Emery’s unique life and career as a civil agitator — from his beginnings in London, Ontario to his showdown with the U.S. Drug Czar in Vancouver and D.E.A. in Montreal — the film examines deeper questions: Canadian sovereignty and police integration in a world dominated by its southern neighbor. Written by Nick Wilson