A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre (“Holy Blood”), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother.
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A group of criminals are brought together under mysterious circumstances and have to work together to uncover what’s really going on when their simple job goes completely sideways.
In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
The thriller follows Tamara Miller as she plans a weekend lake getaway with her two best friends. When Tamara gets kidnapped by a backwoods cult, eerie and unexplained occurrences arise. Will she make it out alive or become the treasure of these deranged lunatics?
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Five female filmmakers en route to screen their new horror film in Los Angeles, experience their own real life terror when they cross paths with deranged scientist hellbent on using them for his twisted experiments.
While visiting her fiancé’s mother in southern Italy, a woman must fight the mysterious and malevolent curse intent on claiming her daughter.
Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From “Manhunt” to “Stripper with a Shotgun”, Grindhouse Nightmares is cinema exploitation at its best.
A crazed artist who believes himself to be the reincarnation of a murderous vampire kills young women, then boils their bodies in a vat.
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity.
Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey – in the tradition of the Latin ballad, the bolero – brings heartache and torment.
