Sarah Huttinger’s return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn’t for her – and that maybe the Huttinger family isn’t even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.
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The film is a romantic comedy about a Portuguese widow whose husband had been a fisherman who died at sea. The widow’s teenage daughter wants to be a professional gambler and she convinces her mother to date a British man whose new in town. The widow falls for the Brit, who pretends to be in the fishing business but is actually a professional gambler. The naive daughter gets into some trouble.
Eva and Kat enjoy a carefree existence on their houseboat on a London canal. Until Eva’s dream of becoming a mother is reignited by the death of their pet. Kat just wants to get a new cat. But when Kat’s best friend, Roger, visits from Barcelona, they decide in a moment of drunkenness that he can be Eva’s sperm donor. But what are the consequences for the lesbian couple, the biological father, the child and their relationships with one another?
Elizabeth’s engagement plans are thrown into disarray when her fiancée’s free-spirited brother David returns home. David’s unexpected influence prompts Elizabeth to question her life decisions.
After Scott has a fight with his father and runs away and when his father refuses to go after him. His mother, Collette, then goes to one of her former boyfriends, Jack, a lawyer, and tells him that he’s her son’s real father. Jack initially refuses. So she goes to another boyfriend, Dale, who goes off looking for Scott. Eventually the two men meet and realize that they are looking for the same boy and that Collette told them they are the boy’s father. What follows is a mad chase, cause the boy doesn’t want to go back.
Paul F. Tompkins tells tales of haunting one’s own house, disastrous attempts at pretend fatherhood, carrying a learner’s permit to kill, and marrying a woman who used a fine-print loophole to breach a castle.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Having exorcised the demons of his ex, Malcolm is starting fresh with his new girlfriend and her two children. After moving into their dream home, however, Malcolm is once again plagued by bizarre paranormal events.
On a lark, Zoey rents a food truck and enters a reality TV competition. Heat rises between her and the handsome founder of a fast food chain, but when Zoey finds out he’s a judge in the contest, things quickly fizzle. Zoey’s determined to win fair and square and she suspects ‘Mr-Too-Good-To-Be-True’ is really after her sauce recipe, not her heart.
In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
Puglia. Burnt by the sun and by hatred, the promontory of Gargano is contested by criminals who seem to come from a remote past governed by the law of the jungle. An archaic land reminiscent of the Far West, in which blood is washed away with blood. An old feud between two rival families is rekindled by a forbidden love: the one between Andrea, reluctant heir of the Malatesta, and Marilena, beautiful wife of the boss of the Camporeale clan. A fatal passion that sets the two clans at war again. But Marilena, banished by the Camporeale and prisoner of the Malatesta, disputed and abused, will oppose a fate already written with a mother’s strength.
