A filmmaker facing an existential crisis goes on a vacation to a Mexican gay nudist beach, where he meets a social media celebrity who convinces him to collaborate with him on his new TV show. But one disappears and another embarks on a wild journey through Mexico City to find him.
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Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.
When Lou, who has become the “father of the Internet,” is shot by an unknown assailant, Jacob and Nick fire up the time machine again to save their friend.
Indifferent to the notion of inheriting his father’s estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity, irreverence, and recreational cruelty towards those around them.
The Morning After is a feature film that consists of 8 vignettes that are inter-cut throughout the film. The 8 vignettes are about when you wake up next to someone the next morning…
A first-year law student struggles with balancing his coursework and his relationship with the daughter of a stern professor.
A district attorney who, tapped to replace the outgoing mayor, is stalked by a man who engineers her fall from grace, leading her to push back and beat him at his own game.
A filmmaker sets out to make a new project in order to figure out how he’s screwed up every relationship he’s ever had.