Ella’s unique designs inspire publishing mogul Derek to include plussized fashion in his magazine. It’s not long before Derek realizes that Ella’s influence reaches far beyond the catwalk.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office administrator, her husband, tries to obtain a transfer to a seaside town, on the French Riviera, at any cost. The trouble is that he is caught red-handed while trying to scam an inspector. Philippe is immediately banished to the distant unheard of town of Bergues, in the Far North of France…
Bianca, a tenth grader, has never gone on a date, but she isn’t allowed to go out with boys until her older sister Kat gets a boyfriend. The problem is, Kat rubs nearly everyone the wrong way. But Bianca and the guy she has her eye on, Joey, are eager, so Joey fixes Kat up with Patrick, a new kid in town just bitter enough for Kat.
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.
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Self-made millionaire Thornton Melon decides to get a better education and enrolls at his son Jason’s college. While Jason tries to fit in with his fellow students, Thornton struggles to gain his son’s respect, giving way to hilarious antics.
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