Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
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There is a long-held belief that mirrors act as gateways to another dimension. ·Some also believe the looking glass plays host to a world filled with evil spirits. Such superstition has been the basis for ancient folklore legends about haunting and possession. And one tale about a supposedly haunted mirror was picked up by the media in 2012. Both the Daily Mail and Huffington Post reported on how the owners of a recently purchased antique mirror left them dogged by bad luck, financial misery, strange sightings and death-defying illness. Now writer/director Edward Boase brings that horrifying story to the screen starring Jemma Dallender (I SPIT ON YOUR GRAVE 2), Joshua Dickinson and Nate Fallows (‘Whitechapel’) as flatmates who buy the same eerie antique on ebay and set up round the clock cameras in the hopes of capturing evidence of bumps in the night. You have been warned!
Addicted to technology, a group of teens attends a rehabilitation camp in the forest, but a sinister force there intends to take them offline forever.
Hideo Suzuki is a 35-year-old mangaka assistant, whose life seem to be stuck around his exhausting but low-paying job, unfulfilled dreams, strange hallucinations and unsatisfying relationships. He sees himself as a supporting character in his own life, has low self-esteem, resulting in frustration. One day, the world as Hideo knows it is shattered by the presence of a disease that turns people into homicidal maniacs, whose first instinct is to attack and devour the nearest human.
Brigitte has escaped the confines of Bailey Downs but she’s not alone. Another werewolf is tailing her closely and her sister’s specter haunts her. An overdose of Monkshood – the poison that is keeping her transformation at bay – leads to her being incarcerated in a rehabilitation clinic for drug addicts where her only friend is an eccentric young girl by the name of Ghost.
Russel Brody, a one-time successful playwright, works diligently on a follow-up play that could land him back in the spotlight he so early craves. With a baby on the way, however, and a strained marriage, stress and frustration take center stage. When his wife accidentally stumbles down the stairs and dies from her injuries, Brody’s mental state goes from bad to one of utter despair. In a bid to help his friend regain his sanity, Brody’s co-writer David Stanley suggests he revisits Lucy, his former mistress. The ghost of Brody’s dead wife awakens to the sordid details of his unfaithfulness, enraging her supernatural spirit to haunt him in every horrifying way imaginable.
