Rocky IV is dually symbolic – it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.
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One hundred superstar comedians tell the same very, VERY dirty, filthy joke–one shared privately by comics since Vaudeville.
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The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.
Hamilton’s America delves deeper into the creation of the Hamilton musical, revealing Lin-Manuel Miranda’s process of absorbing and then adapting Hamilton’s epic story into groundbreaking musical theater.
Generation Iron – examines the professional sport of bodybuilding today and gives the audience front row access to the lives of the top 7 bodybuilders in the sport as they train to compete in the world’s most premiere bodybuilding stage – Mr. Olympia.
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