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From the mind behind Evangelion comes a hit larger than life. When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster’s weakness and its mysterious ties to a foreign superpower. But time is not on their side – the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.
A group of friends go to the desert for a gun instruction course and accidentally unleash a power so great it overwhelms them where they must choose between family and friends versus the fate of the world.
In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds a kindred spirit in the live-in maid, Bridget, and friendship soon blossoms into a secret romance. But tension mounts in the Borden household, leading to a violent breaking point.
When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don’t catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them. The film’s story metaphorically connects with the mythology of Bengali culture.
After a collision with a comet, a nearly 8km wide piece of the asteroid “Orpheus” is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite “Hercules” but discovers soon that it doesn’t have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She’s dangerous. She’s a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world’s first one-person film (a movie with only one on-screen character) that features a woman.
A sensational, sentimental, and philosophical horror neo-noir that follows the still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.
A young interracial couple has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their relationship. A tightly wound LAPD officer has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly aggressive to the newlyweds. These persistent intrusions into their lives cause the couple to fight back.
As London is submerged below floodwaters, a woman gives birth to her first child. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place.
Two daughters of mobsters get out of the sanitarium after having killed a boyfriend in the shower, supposedly cured and on the right track. They hold a party and invite all their old boyfriends, making all of them think there is still hope for a relationship. Then the boyfriends start disappearing one by one.
A group of humans arrive on Sirius 6-B to investigate an SOS signal sent out from the planet, which has been supposedly deserted since the destruction of the man-made weapons known as “screamers.” Once the squad arrives, they find a group of human survivors eking out an existence in an old military outpost.
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.