A woman attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.
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70-year-old widower Ben Whittaker has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
An immortal blues musician terrorizes childhood sweethearts reunited over the Thanksgiving holiday.
When Alex Hiles’ hot mess cousin Carolyn vanishes, Alex suspects the worst…Carolyn has been “camming” lately, and Alex suspects she broke the rules and met one of her clients…No one believes her and it’s now up to Alex to track and face the predator that kidnaps Cam Girls.
Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.
The Luring is about a man who returns to his family vacation home, where a murder took place during his 10th birthday party, hoping to finally resolve a memory gap that has been plaguing him for years.
A tragic comedy about a well-intentioned father who inadvertently wreaks havoc on the life of his estranged daughter.
Three directors each adapt a Poe short story to the screen: “Toby Dammit” features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. “Metzengerstein” features a Mediveal countess who has a love-hate relationship with a black stallion – who it turns out is really her dead lover. “William Wilson” tells the story of a sadistic Austrian student with an exact double whom he later kills.
