Morocco, from the past to the present. Five people who are connected to each other – Abdallah, Salima, Joe, Hakim, and Inès – without realizing it. Different faces, different struggles, but one same breath. One city, Casablanca as a fragment of reality, as the myth of a film entirely shot in Hollywood studios, which reality has come back to claim.
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Satria’s employees intend to rob his house when he is out of the country but their robbery turns into murder when they find Suzzanna in the house as they bury her body in the backyard.
Follow Adam and Emma on their daily commute from the village of Langton to London, where they meet the same passengers every day. One morning, Adam breaks the unspoken taboo of talking to strangers on a train and invites the entire carriage to hold their own Christmas party together.
Based on a real-life historic court case, a bold journalist questions a revered leader’s immoral behavior.
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.
Khorshid lives with his mom in a house near a river somewhere in Tajikistan. Th landlord comes around every morning to ask for the rent. Khorshid has to provide the money or else they’ll have to leave. His blindness has given him an amazing skill in tuning musical instruments which gets him a job at an instrument making workshop. But the problem is That Khorshid is mesmerized by sonorous music all the time; whenever he hears a great musician play, he loses track of time and place. For this, he always gets lost and gets to work late. How is he going to make a balance between his love of music and his task as a breadwinner?
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons–his sole purpose being to bring down his old friend Billy the Kid.
In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.
