In a mountain town, where corn and poppies grow, the girls wear boyish haircuts and have hiding places underground to escape the threat of being stolen. Ana and her two best friends grow up together, affirming the bonds of their friendship and discovering what it means to be women in a rural town marked by violence. Their mothers train them to flee death, to escape those who turn them into slaves or ghosts. They create their own impenetrable universe, but one day one of the girls doesn’t make it to her hiding place in time.
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A little boy runs away with a star jumping horse after the horse is abused.
A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.
Sasha and Ilya, a bored young couple on a verge of breakup, are spending a New Year’s Eve at a secluded beach house in Northern France then a carcass of an unidentified creature is washed ashore nearby. Later that day on his way back from a local bar Ilya meets Masha, a lost Russian girl, who seems to have gotten off the train at the wrong station and has nowhere to spend the night.
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran’s volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn’t like it – and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison. Making his directorial debut, Jon Stewart tells the tale of Bahari’s months-long imprisonment and interrogation in this powerful and affecting docudrama featuring a potent and performance by Gael García Bernal recounting Bahari’s efforts to maintain his hope and his sanity in the face of isolation and persecution-through memories of his family, recollections of the music he loves, and thoughts of his wife and unborn child.
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Lead postal detective Oliver (Eric Mabius) and his associate Shane (Kristin Booth) have been doing a figurative dance with each other, swaying back and forth with the possibility of a relationship. Finally, on their first date at a romantic supper club, Shane begins wondering if it’s a date or not, as she sees the contrast of their relationship next to the extraordinary dance performances of a couple who express the longing of her heart. As Norman (Geoff Gustafson) and Rita (Crystal Lowe) work alongside each other, their personal relationship hits a bump in the road.
